I attended the standing-room-only Wendy Mesley lecture this evening at Thompson Rivers University. Ms. Mesley, a veteran CBC journalist and anchor of Marketplace, spoke about her experience with breast cancer both as a patient but also as the journalist who challenged the Canadian cancer establishment with her Chasing the Cancer Answer documentary.
Ms. Mesley (at right) spoke to a friendly audience, several of whom didn't hesitate to pitch a tent once they had the microphone during the Q & A period. Ms. Mesley's sometimes confused expression (accompanied by an increasing number of rolled eyes by long-suffering attendees) didn't slow down several long-winded sermons delivered by a representative of Save our CBC Kamloops, a nursing instructor, a denier of climate change deniers, etc.
While the subjects of her lecture included a broad mixture of politics, journalism road stories, cancer survival, and investigative reporting, what fascinated me right out of the gate was the first thing that came out of her mouth.
Immediately after approaching the lectern at the Clock Tower Theatre, Ms. Mesley acknowledge a little discomfort with her microphone headset, and the fact that she was standing at the foot of a theatre with a couple of hundred people staring down at her. As an anchor she typically works in a studio with no audience, not even human camera operators.
Throughout the presentation she expressed unease and fidgeted with the headset, until she finally knocked the wireless unit/back pack off the lectern. Hanging as it was from her headset cord, she fumbled with it for a minute while looking off-stage for a technician to help her. Unfortunately, no assistance was forthcoming, so she toughed it out by herself. Visibly flustered, Ms. Mesley carefully picked up her train of thought verbally while scanning her notes to re-establish her place, then just talked her way through it until the colour left her cheeks, and her pace resumed. While a couple of hundred people isn't the biggest audience in the world, she still did a great job picking things up despite the obvious fumble with unfamiliar equipment.
Her apparent self-awareness didn't, however lend itself to much depth in her response to my own question about how her cancer experience has changed her as a journalist, specifically in respect to becoming part of the story. Despite admitting earlier in the evening that prior to her cancer, she had resisted to "going all Oprah" over stories, once she was diagnosed she injected herself quite effectively into her documentary.
Maybe she was a little defensive, having faced sharp criticism over her documentary from the likes of the Globe and Mail's Margaret Wente, who in 2006 wrote:
There's every reason to admire Ms. Mesley personally. But her journalism, in this case, is another matter. Chasing the Cancer Answer is stunningly simplistic. It peddles the biggest of the conspiracy-theory myths about cancer and its causes. It's full of misleading information and fear-mongering. It ignores a vast body of serious science. And it does a profound disservice to the public, many of whom rely on the public broadcaster for responsible and balanced journalism...
Advocacy journalism is all very well. But Chasing the Cancer Answer omits (or misstates) a number of important facts. To start with, there is no cancer epidemic. Overall cancer rates (as opposed to the number of cancer cases) have been relatively stable for more than a decade. While the incidence of some cancers have risen, others have fallen; overall, you have no more chance of getting cancer than you did 10 years ago. What pushes up the number of cases is that cancer is overwhelmingly a degenerative disease of older age, and our society is aging. Cancer is our second-biggest killer — but that's because we're living long enough to get it.
Her unsatisfying response is most likely my own fault, as my question wasn't very specific or well-formed. Like most of the others who asked questions, I somehow expected her to intuit and sympathize with my intent. In fact, most of us who had a crack at the microphone appeared guilty of being more interested in what we had to say than what the speaker had to offer.
I was actually looking for Ms. Mesley's perspective regarding her
decision to inject herself into the her documentary, to discover at
what point the threshold for doing so was achieved (OK, that was my
inside voice, it was a little more challenging to articulate my
thoughts with a microphone in my hand). Why? Because some commentators have very accurately described amateur bloggers as self-absorbed. In fact, most of us spend so much time writing about ourselves that it is quite literally our specialty. Most of the blogs I read (and produce) feature posts in which the author fully participates in the story, either as the central figure or just a plain old loudmouth.
What I do and what Ms. Mesley does are
worlds apart; she's a professional journalist at the top of her game (which includes chasing a story in our area), while I'm just a hobbyist with a digital voice recorder I can't figure out. But in some respects maybe bloggers and journalists are alike, and being struck by our distant cousin's acute self-awareness is a case in point. If professional journalists can - and maybe, should - become part of the story, certainly bloggers should have similar latitude?
At Behind the Headlines (a blog written by the editors of the Lexington Herald-Leader about their editorial decisions), the subject of reporters becoming part of the story was addressed last summer when a reporter took possession of evidence in a homicide investigation. Assistant metro editor Dori Hjalmarson described the dilemma as follows:
Normally the ethical muses of journalism frown on reporters becoming characters in the news they are writing about. Herald-Leader reporters and editors go to great lengths to balance and separate our jobs and our personal lives. It’s our duty to tell stories through others’ voices, to present other points of view – not our own.
Wendy Mesley isn't the first journalist to become a big part of the story (think of the extremes to which Hunter S. Thompson pushed the limits of journalism almost forty years ago), and she hasn't made a practice of it since Chasing The Cancer Answer was initially broadcast. But if not, then why not? And, how should we evaluate journalists? Based upon the large majority of cases in which they conform to dispassionate best practices, or those infrequent cases in which they stray away from them?
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